8 Ways That “Storks” Delivers
Sep 29, 2016   •   Mikhail Lecaros
8List.ph is published by ID8, Inc.
Sep 29, 2016   •   Mikhail Lecaros
On first glance, Storks is your run-of-the-mill animation, without much purpose than to fill in the gap between the next Disney/Pixar flick or Dreamworks/Fox sequel. Let’s face it, The Secret Life of Pets was a letdown, and Sausage Party, which opens this week, is strictly for the adults (in all the best ways!).
Built on the classic explanation of where babies come from, Storks takes the old yarn about storks’ role in the reproductive cycle and cranks it up to eleven, fabricating an entire mythology that, all things considered, will probably raise more questions that most parents won’t want to answer.
The story goes that storks stopped delivering babies years ago due to the actions of a rogue stork (Machete himself, Danny Trejo) that prevented a child, Tulip, from reaching her intended parents. In order to prevent such incidents from ever happening again, the storks make the switch to delivering packages for online megastore Cornerstore.com (an amusing swipe at Amazon).
The main character is Junior (Andy Samberg, TV’s Brooklyn Nine Nine), whose dream it is to impress the Cornerstone CEO, Hunter (Kelsey Grammer, TV’s Frasier) become a boss (even if he can’t entirely explain why). On the eve of his promotion, a series of unfortunate incidents involving the now-grown Tulip (Katie Crown) results in Junior having to deliver a baby to a couple (sitcom veterans Ty Burrell and Jennifer Aniston) that may be too busy for one.
What follows is an odd couple road trip adventure that will see Tulip and Junior learning the true meaning of family while trying to fend off everything from a corporate stooge to deadly panes of invisible glass.
Well-paced, witty and undeniably more intelligent than it has any right to be, here are 8 good reasons to catch Storks with the kids:
It says a lot about the state of Hollywood and filmmaking in general when this is considered a plus, but when the last original animated film we can remember seeing was the superlative Zootopia, any film that comes after has got its work cut out for it. Thankfully, Storks is a worthy addition to the genre that’s distinguished by a subtly twisted sense of humor that directors Nicholas Stoller (Forgetting Sarah Marshall) and Doug Sweetland (formerly of Pixar) wisely never allow to overpower the main narrative.
Ok, theoretically, in an age of photoreal CGI, this should be something we can take for granted, but unfortunately, not all animations are made equal. In this case, however, the visuals from Warner Animation (The Lego Movie) are topnotch, with elements like Tulip’s bountiful curls to the heavy equipment at the Cornerstone.com warehouse rendered in eye-popping detail.
In line with the tone adopted by the filmmakers, Andy Samberg is likewise restrained in order to better suit the family-friendly nature of the material. Make no mistake, his manic man-child routine is very much present, but In dialing back to ensure that he shares the spotlight—rather than steals it—Storks is all the better for it.
Admittedly, casting Tyler Burrell as a glorified animated version of his Modern Family character (a real estate agent who desperately wants to be great dad and is willing to drop everything to bond with his son in the most over-the-top ways possible) isn’t much of a stretch, but he fits the mold so well, why fix something that ain’t broke? The same can be said of Grammer, who uses his elegantly dulcet tones to imbue Cornerstore.com overlord Hunter with the same sort of barely-restrained insanity as his signature Sideshow Bob from The Simpsons.
Input your search keywords and press Enter.